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Sunday Poem Elizabeth Taylor returns to Babylon

was bigger than life. We know now that we no longer have those violet eyes to dive into your ocean serene silence. It was all his characters, and herself, as his greatest creation, excessive and awful, a sensual beauty that has exceeded the canon any sensual beauty, she was a star in a sense of the term, surely, has also died with her. Perhaps it was in

Ivanhoe, starring as the Jewish Rebecca of York, with dark hair and eyes glistening pure innocence, when the flesh of his presence reached its zenith cleaning: that of a virgin avocado to the gallows for failure Templar submitted to indignant George Sanders, but then would be saved by the Saxon knight, a favorite of Richard Plantagenet, Sir Ivanhoe / Robert Taylor. It was 1952. Two years later, and several films and in his films-would The Last Time I Saw Paris , a melodrama beautiful, mournful, elegant, based on the story Return to Babylon, by Francis Scott Fitzgerald, who was also in literature and life, as beautiful as aching and elegant, "giving life to a woman in love her young husband, novelist, with that natural virtuosity to provide the world with joy. There is a great tenderness in the light rain hitting the door when she decides not to fall into the arms of his young pretender, the future Saint and Bond, Roger Moore, and go home. But her husband sleeps in the middle of a huge binge and the door is locked from the inside. She calls, you get to hug again, it's over the life of dissipation, must return to the simple love; however, the door will not open while the rain still beating his fragile heart, and she will die after pneumonia.

would come after Giant, and his close friendship with the giant Rock Hudson, only thereafter came to be taken seriously as an actor. Also The tree of life where embodied-and never better, to a southern woman pulled into a hell of inner fire, great childhood nightmares and end in murky waters. No one like her could be Cat on a Hot Tin Roof , or leave a rolled up carpet before Caesar with just a clear coat. Eternal activist against AIDS After Hudson's death, his eyes are still movies.

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Eduardo García Belle Époque, or write a poem

Write a poem, make your stay as a vertical disparadero a catalyst for all life. Write a poem, perhaps in response to any reasonable experience, which is also unknowable, all we want to reason, to any worldly logic incomprehensible, and therefore also write a poem in the vision of those other many latitudes trampled without any tangible credential. Write a poem as a way of being in the street and at home as a safe-conduct of days and hours of different fillings, rhythms fluctuated closer to us than yesterday, in a landscape of memory turned into punch adjusted to the language. Where would we be without writing a poem. What would many of us without a reflection on why, how, when, writing a poem.

Eduardo Garcia did it in an essay just like this: Write a poem , which could take shape as the adjacent territory, and borders on his poetry. After Title recovered in the distance gained in reading, in that diffuse smoke bars with some concerts almost legend - almost a legend - Eduardo Garcia has been carving his own poetic biography margins increasingly stripped-down, reduced on a quest itself, after winning a dance torrential light loose, artistic movements, grown, which led him to see his new life. If you read their titles, you can well appreciate the change from marked Letters to Horizonte or border, through is not and finishing a game and also happily, in new life.

Meanwhile, Eduardo Garcia has been rewriting his poetry, first privately, but then say in a more public and educational vocation, trial poeticized become subject, or a new theory, which he published with the same title nothing suggestive or elliptical, but direct and honest: Write a poem because Edward I wanted to tell all its mechanisms, the relationship with an ever-changing reality in the making of poetic matters, this variation in nature to the multiplicity of perspectives but always in the intimate breath.

He has reprinted in The Blue Olive. Of course Eduardo Garcia not explain how to write a poem, because he knows better than anyone that in this there is more rules-limits saved very basic, almost grammar-that the voice of self. But neither Rilke tried in Letters to a Young Poet or Vargas Llosa in Letters to a young novelist and Angel Zapata write a story. Are tests that are more than self-confession that programmatic intention. An exposé, a kind of self generous and kind.

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film Eyes Poem

His eyes contained the blood of the sunset. He life so many movies from that fragile children vulnerable to outbreaks, he barely had time to learn to act. However, his life was always open and a photo album, with variations to the compassion and pain. In fact his best male friends with whom any affair was only possible in fiction, were intimately could inspire pain and compassion, not only Rock Hudson and Michael Jackson, Monty Clift but also before and after the accident that disfigured her face.

was truly a character who embodied Cat on a Hot Tin Roof , a brave woman intellectual outgrowth of a lively full and overflowing in the film is incomprehensible because no one explains that Paul Newman may reject it solely because it takes much less a friend. It is further understood in the work of Tennessee Williams, where homosexuality is a tangible item, but nothing in the film, however, despite the misunderstanding of her husband, there is always Maggie / The cat courting Brick / Paul Newman, while receiving the news that her husband at the time, Mike Todd, died in a plane crash. She turned into the character, reborn more turgid and more real to scorching, explosive, the entire film.

probably never as Elizabeth Taylor was then the expression clear, neat, ocean, in the shadow of any twilight, carrying latent under her frail body. A body that has led, after many operations, to survive one of the best commentators Hispanic, Terenci Moix, who so enjoyed writing about the filming of Cleopatra . Getaway imagine the two of Liz Taylor and Richard Burton, a Hollywood motel during breaks of filming, which they then turned into days of flight attendants leaving behind the producers, who followed their trail through the city, freaking out the poor Joseph Mankiewicz.

to read not say it was a dream , one saw only the faces of Burton Taylor and Mark Antony and Cleopatra. Shot fourteen films, plus great movie viewers experienced by attending their divorces and reconciliations worldly echoing in that film became cloudy and porous. Jane died several months ago Russel, which was also great movies, but for less time, if only for the fight that brought Howard Hughes with censorship to defend his bust in The bandit - but was a star much more momentary .

Liz Taylor, who has lived more years after Terenci it appeared that they would never die. Now we just have Robert Redford, but it is the emblem of another era: the golden Hollywood, Sunset Boulevard, has died forever.