Islamic Wedding Messege

Eduardo García Belle Époque, or write a poem

Write a poem, make your stay as a vertical disparadero a catalyst for all life. Write a poem, perhaps in response to any reasonable experience, which is also unknowable, all we want to reason, to any worldly logic incomprehensible, and therefore also write a poem in the vision of those other many latitudes trampled without any tangible credential. Write a poem as a way of being in the street and at home as a safe-conduct of days and hours of different fillings, rhythms fluctuated closer to us than yesterday, in a landscape of memory turned into punch adjusted to the language. Where would we be without writing a poem. What would many of us without a reflection on why, how, when, writing a poem.

Eduardo Garcia did it in an essay just like this: Write a poem , which could take shape as the adjacent territory, and borders on his poetry. After Title recovered in the distance gained in reading, in that diffuse smoke bars with some concerts almost legend - almost a legend - Eduardo Garcia has been carving his own poetic biography margins increasingly stripped-down, reduced on a quest itself, after winning a dance torrential light loose, artistic movements, grown, which led him to see his new life. If you read their titles, you can well appreciate the change from marked Letters to Horizonte or border, through is not and finishing a game and also happily, in new life.

Meanwhile, Eduardo Garcia has been rewriting his poetry, first privately, but then say in a more public and educational vocation, trial poeticized become subject, or a new theory, which he published with the same title nothing suggestive or elliptical, but direct and honest: Write a poem because Edward I wanted to tell all its mechanisms, the relationship with an ever-changing reality in the making of poetic matters, this variation in nature to the multiplicity of perspectives but always in the intimate breath.

He has reprinted in The Blue Olive. Of course Eduardo Garcia not explain how to write a poem, because he knows better than anyone that in this there is more rules-limits saved very basic, almost grammar-that the voice of self. But neither Rilke tried in Letters to a Young Poet or Vargas Llosa in Letters to a young novelist and Angel Zapata write a story. Are tests that are more than self-confession that programmatic intention. An exposé, a kind of self generous and kind.