
Juana Castro has long been claiming the women's poetry. Belongs to a generation -Was born in Villanueva de Cordoba in 1945 - in which it had become imperative, or at least I understood it, writing from her womanhood, and also to explain and qualify it. Perhaps for those born from democracy, this stubbornness brave, steady, Juana Castro feminist values \u200b\u200bexceeded it may seem somewhat openly, but then there's the poignant, outrageous, painful, domestic terrorism, to convince us that things have not changed as much as it sometimes seems-and the gender issue, capital for her and her fellow adventurers, and also a concept is assumed. Among my fellow
writers, a novel or a poem is not better or worse for being designed by a woman or a man, but for their formal qualities, for its pace, its ability to evoke sensory or breathing, dreamy demeanor. In the generation of Juana Castro, coming from an era of utter contempt for the feminine, of women's subordination to an oppressive machismo, vindicating the nature of women and their urgent need for absolute equality of rights became an issue poetic.
Castro Juana's poetry is plastic and sound, has that joyful verbalize linked to the Group 27 and the Song, of Cordova, but also in Malaga Conch Magazine Platero and Cadiz. Pure poetry alive, the heroic time back. Juana Castro is refined, resplendent, from compassion and pain.
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